[No comment. Read the quote, then read the article. It will be on the exam.]
The Valve – A Literary Organ | A Pre-reading of “Snakes on a Plane”:
Though I myself haven’t seen the film, it is almost impossible not to think that Lacan had watched Snakes on a Plane, because his conception of alterity is so closely aligned with the film’s revolutionary mise en scene. Indeed, my reading below is deeply invested in resisting the tired old “grand narrative” of “actually watching the film,” which essentializes “experience,” and delegitimates the kinds of liberatory theoretical praxis I have memorably justified elsewhere.
The eponymous “snakes” here are clearly the wild slithering irruption of the Real, while the “plane” is the Phallus that operates in the angular, metallic register of the Symbolic. The film thematizes the rebellion of the Real (the resisting third world subaltern, who also represents the death-drive) over the tyrannical, inscribed authority of the Industrial-Aviational Master.